Some good news! My first full-length poetry collection has been accepted by Texas Review Press (see the first link in the comments). My book was chosen for their Southern Breakthrough Series, a contest that seeks new works from a different southern state each year. My collection, titled Scrape the Velvet from Your Antlers, was chosen to represent WV, my home state. The title refers to something bucks do to harden their antlers in anticipation of the fighting come mating season. This is my first full-length book, a longstanding dream of mine! The book will debut in February 2023. My thanks to TRP, all the editors who first published these poems, and especially the editors at Kestrel, A Journal of Literature and Art, where the title poem first appeared (thanks Donna Long, @Elizabeth Savage, Suzanne Heagy). #poetry
I am long overdue in sharing this good writers news: My chapbook, Antlers, was selected by #SevenKitchensPress for their Editor’s Series. Much thanks to editor Ron Mohring for his hard work on this project. The chapbooks are painstakingly crafted and stitched by hand in a very limited quantity. More writing news is coming soon! Details on how to order the chapbook are here: https://sevenkitchenspress.com/2022/01/29/kelly-mcquain-antler-editors-series/
Antlers. $9.00 – ISBN 978-1-949333-87-9
This chapbook joings my previous chapbook, Velvet Rodeo, which is available through Bloom Books here: http://bloomliteraryjournal.org/shop/velvet-rodeo/
“Join us in celebrating Literary Arts Week in Philadelphia by recognizing the Rittenhouse Writers Group, Mighty Writers, Philadelphia Young Playwrights and Blue Stoop – Philadelphia organizations supporting local emerging writers. Festivities will include a reception, a poetry reading by a special guest, and the opening of Visual Democracy, an Art in City Hall exhibit that celebrates the connection between the literary and visual arts as part of Whitman at 200: Art and Democracy.”
Wednesday, May 15, 2019
City Hall Philadelphia
Mayor’s Reception Room, 202
Conversation Hall, Room 201
Visual Democracy Exhibit Opening
This event is free and open to the public. Registration is required.
This event is part of Whitman at 200 https://www.whitmanat200.org/
12/7/2018 – UPDATE! My painting, “Well, hello there!” won the jury prize at the William Way LGBTQ Center group show. This means that I and two other winners will have a combined show during summer 2019. We each get a wall in the giant parlor that greets visitors to the center, and I plan to fill mine up with new paintings that combine images and text! There is still time to see the piece below in the current group show, which is up until December 28th. There are numerous works for sale at the Center, so why not give someone a little queer art this holiday season? Stop by. Entry is FREE. William Way LGBT Community Center, 1315 Spruce St, Philadelphia, Pennsylvania 19107.
Hey, Philly friends–
I have new artwork in a group show at the William Way Center. Come if you can to the opening Friday, Nov. 9th around happy hour. Here are the details:
November 9, 6-8pm: Art Opening – 13th ANNUAL JURIED ART EXHIBITION. William Way LGBT Community Center, 1315 Spruce St, Philadelphia, Pennsylvania 19107. You’re invited to the opening reception of the I hope you can make it to see the latest edition of dynamic Queer-American art in Philadelphia. Plenty of food & drinks. Lots of fun. Support the LGBTQ Community Center!
An Inaugural Poem, err, Song?
“Bye, Bye, My America Died”
(Sung to the tune of “American Pie”. Don McLean, forgive me.)
A long, long time ago
I can still remember how my country
used to make me smile…
And I know if I had my wish
Bernie Sanders would be the big fish
and maybe we’d be happy for a while…
But November ballots made me shiver
with every return CNN delivered:
A psycho at our doorstep.
Hillary hadn’t cinched it.
And I can’t remember if I cried
when I read about Trump’s third child bride.
But something touched me deep inside
The day America died.
So bye, bye, my America’s died.
Shoved my country to a cliffside
and that cliffside is high.
Trump’s good ole boys are drinking whiskey ‘n rye
Singing “This’ll be the day that they die!
Ground beneath his heels and his pride!”
Now did you write the book of hate
And would you help Putin masturbate
if the Russians told you to?
Now does Trump believe in rock ‘n roll?
The Boss ain’t gonna save his greedy soul.
Still gonna build his wall… just real slow…
Yes, I know we’re not in love with him,
40% approval ain’t a goddam win.
So don’t kick off your shoes.
Man, I got the Obama blues!
I’m just a lonely teenage broncin’ buck
With student debt and a beat-up truck
And I know my friends are all real f*cked.
Today, my America dies.
We’ve started singing
bye, bye, our America died.
Shoved our country to a cliffside
and that cliffside is high.
Trump’s good ole boys are drinking whiskey ‘n rye,
singing “This’ll pave the way for our ride!
This’ll be the day the Left dies!”
#WritersResist #WritersResistPHL #Trump #BernieSanders #Trump
WE CAN’T GIVE UP!
WE HAVE VERSES IN US STILL LEFT TO WRITE. RESIST!
Also, whoever baked the Cthulhu pie, I love you.
#writersresist January 15 is the date for Philadelphia Writers Resist: United for Liberty. The event is part of PEN America’s country-wide mobilization to let the Trump administration know that we writers will not back down or backtrack when it comes to human rights and civil liberties. I’ll be reading alongside many Philly friends from works that speak to empathy and justice. Nathaniel Popkin, one of the organizers, writes, “We chose the word united because this event is meant to bring us together as a literary community with abundant shared interests. We are poets, novelists, filmmakers, artists, publishers, readers, promoters, journalists, essayists, narrative non-fiction and experimental writers, editors, scholars, and translators, all to say, loudly, that we will stand for the freedoms written right here.”
2016 started with the death of Bowie and attending with the death of George Michael, to musical legends who helped the gay movement in many ways. George, may you find the white light you sang about after your coma a few years ago.
White Light Video here.
Kirkus Reviews has a nice review of Eyes Glowing at the Edge of the Woods, an anthology of writers from West Virginia that I have a few poems in. Read the review here. I’m looking forward to it out on March 1st, and it can be ordered now through Amazon or your favorite local bookstore.
Kudos to editors Laura Long and Doug Van Gundy.
UPDATE: PBS News Hour has a wonderful review of the collection here. An excerpt:
“The poetry read that night, and contained in the anthology, is not what you might expect out of West Virginia, or from regional poetry. For one, it does not fall into the trap of nostalgia or tackle traditional subjects in traditional ways. Instead, it examines, often unsparingly, topics as wide-ranging as environmental dangers, sexual identity, family conflict, discrimination and rebellion. At many points, the poetry asks questions about how to leave the past behind — or at least how to learn to live with it.”
“The struggle of leaving and coming back home is a recurring theme in the anthology. In the poem “Ritual,” poet Kelly McQuain writes about a visit to West Virginia in which he helps his mother get a bat out of the house and then quickly prepares to leave, his bags already packed. “In these ways,” he writes, “we rescue ourselves.”
A while back I posted about the book cover I drew for Kazim Ali’s Uncle Sharif’s Life in Music. Today I saw an interview with Kazim in which he gives a nice shout-out about the cover. The book is a fun, experimental mixture of stories both innocent and adult. Read the interview here.
Current projects, which are keeping me from posting much these days, include a short satirical comic about Trump’s election, some new poems, and a series of paintings I hope to blog about soon.
If you are looking for small press items or handmade goods, check out the Small Press Faire in Philadelphia coming up Dec. 3rd. I’ll be there, unofficially. Info here.
Summer 2015 was a busy one in terms of new visual projects, including a poetry portrait series for Fjords Review and this new wraparound cover I illustrated for poet Kazim Ali’s new book of short stories, UNCLE SHARIF’S LIFE IN MUSIC. @KazimAliPoet #KazimAli @SRP_Bryan
The wraparound cover features images of the nephew and uncle from the title story as well as tarot cards and allusions to other stories in the collection. Pen and ink and watercolor. You can order the book here: http://siblingrivalrypress.bigcartel.com/
Here’s the cover with the title added by the boys at Sibling Rivalry Press:
Uncle Sharif’s Life in Music
Stories by Kazim Ali
About the Book: On the eve of war, a group of artists try to stage a performance. An ill-thought-through deception to protect a friend threatens to unravel several relationships in a circle. A young man wakes up in a church graveyard with complete amnesia except for scraps of memories that appear to be from several different peoples’ lives. Two friends, haunted by the ghost of failed intimacy and the shadow of disease, wander the rainy streets of Paris. A musician makes a clumsy last-ditch effort at seducing a lost love. At Niagara Falls a neglected boy discovers his relationship to God. In a contemporary re-telling of the Majnoon and Laila myth, an astronomer falls in love with the sky. These six stories and novella from the author of the novels Quinn’s Passage, The Disappearance of Seth and Wind Instrument intertwine their concerns for the artistic life and the importance of the creative impulse with their belief in timelessness and the universal need for human empathy. Kazim Ali brings a poet’s attention to language, a musician’s sense of structure and a choreographer’s sense of character and movement to these dynamic and genre-blurring pieces which range in form from coming-of-age story, speculative fiction, ekphrasis, epistolary fiction and tarot deck.
A Process Essay
In working on “The Empathy Machine”, a visual essay on poetics recently published by Cleaver Magazine, I wrote and drew part 1 in the summer of 2015, and finished part 2 on the kitchen table over a snowy January weekend. Part two was much longer than part 1, which had been subtitled A Visual Narrative on the Poetics of Kenneth Goldsmith. Part 2 expanded on those musings into something that took the form of an ars poetica. (You can read part 2 here.) For a long time, the ideas had been stewing in my imagination and coming to life in my sketchpad. But there comes a point when you have to pull it all together, even if that means doing so with tools as simple as glue sticks, a watercolor set, and some Faber Castell artist pens.
What appeared as part 1 in issue #11 of Cleaver started off as a series of New Yorker-style cartoons calling out poet Kenneth Goldsmith’s for his insensitivity in turning the autopsy report of Michael Brown into a performance piece. I was angry. I was MAD. I couldn’t understand how the “material” Goldsmith was performing and the poetry I was writing could all supposedly fall into the same genre. Other people were outraged, too, and when Vanessa Place, Michael Derrick Hudson, and Sherman Alexie entered the equation it all built to a critical mass. (It didn’t hurt that Goldsmith, with his penchant for wild suits and his long beard, was a fun figure to draw.) The anger and energy I felt proved to be a vehicle for me to look outward and inward, a way to ask myself questions to guide me in terms of future art-making, whether that be in words or pictures (or the two combined). Karen Rile, Editor-in-Chief, and Raymond Rorke, Art Editor, would prove invaluable to me along the way in terms of critical feedback.
As new ideas came to me, I found that working in a “New Yorker” style wasn’t going to cut it. The project was opening up into an essay, stretching its shoulders, wanting more space.
My thoughts tend to bounce around in a ricochet, one idea playing off another. I decided my method needed to be old school (literally “cut and paste”) as well as very personal: a journal style to match my journey. I’m a huge fan of cartoonist Lynda Barry, and I’ve followed her work for years, even reviewing some of her early comic strip collections. Using legal pads — which Barry did in What It Is, her fantastic meditation on image-making — proved extremely liberating. Cheap paper gave me a freedom with the material aspect of the project. More color began to enter the drawings as I dug out the paints and Prismacolor pencils I had accumulated over the years. Why hadn’t I been using them? What had I been saving them for? For this?
Over Christmas, through a New Year’s Day plagued with a head cold, and well into a January snowstorm, I made steady progress toward the end of the project. My partner and I did not eat at the kitchen table for weeks.
As I was working on the project, David Bowie died. I loved Bowie, a grand statesman of the ’80s British Invasion that I loved, and so much more. Bowie became another of the visual homages that the narrative called for. Others included Keith Haring’s pop art from the 1980s, which seemed to be everywhere back when I was coming out (and is long overdue for a resurgence in popularity). Another inspiration was the current plight of the honeybee in the face of colony collapse disorder. The list goes on: Ganesh and Cthulhu and Superman; Calvin & Hobbes cartoons; the art of activist Rini Templeton, whose brilliant drawings I happily discovered by way of Christopher Soto’s poetry book, Sad Girl Poems (Sibling Rivalry Press). Templeton’s image suggested connectivity and transformation to me, and were ripe to combine with the image of a mermaid, a sometimes-symbol of the trans community as well as a symbol of the connection between humankind and nature. Other allusions included The Great Wave off Kanagawa, a woodblock print by Katsushika Hokusai, which I saw once in the Michener collection at the Honolulu Museum in Hawai’i. Most importantly, I relied on a sketchbook filled with faces of the inspirational people I met during the summer of 2015 at the Crosstalk, Color, Composition conference, the Lambda Literary Writers Retreat for Emerging LGBTQ Voices, and the Sewanee Writers’ Conference. To those amazing people and their inspiring words, I am grateful. I am changed.
In terms of negative inspirations, I’ve been bothered by this era’s bad habit of people anonymously attacking one another through social media channels when they disagree, and how if anyone critiques that practice he or she is quickly accused of tone-policing or censorship. I understand that anonymity is an appealing veil when one fears for personal safety, but we also diminish our nobility on occasions when we don’t fight fair. If you ask me, there is enough micro-aggression going around these days that it all very quickly adds up to full-sized aggression. Such tactics should be used with caution. That might sound funny coming from someone who has taken a number of shots at Goldsmith and Place, but I also believe in the power of satire as a vehicle for critique and an instrument for social change. Certainly there are voices that get too often heard, and certainly we need new platforms to raise up those voices needing better representation. Yet every time I see a dialogue opportunity get crushed, I hear the creak of more minds closing.
What did I learn about image making? Poems and visual art rely on images, and these images are not always seen with our eyes but with our mind. Ezra Pound described an image as an “interpretative metaphor” or “an intellectual and emotional complex in an instant of time”. I think sometimes images can be sounds. Or smells. Or things we touch or things that touch us. These images take us on a journey that at times feels circular and difficult, an uneasy game–but that path is not without purpose.
On a practical level, I found it useful to lay my pages out on the floor in order to get a sense of narrative flow and design. l was reminded how easily paper crinkles when watercolor is added, and that sometimes you need to make your better half gently iron pages the way Carson the butler irons the Earl of Grantham’s newspaper on Downton Abbey. I learned that there are probably better glue sticks out there than the ones Staples sells, and that there is great joy to be found in the smudge-proof nib of a good Faber Castell drawing pen.
I learned that even with ironing it is best to have heavy books on hand to continue flattening your pages prior to scanning. I combined the weight of an atlas, Chip Kidd’s Batman Collected, and a collection of nude studies by photographer George Platt Lynes for a little extra frisson.
In my work, I’ve often felt pulled in many directions at once, that my different art-making impulses compete with each other. This has often left me frustrated. In teasing out the reasons why I think art-making should be viewed as an empathy machine, I learned that what I’ve feared can also be a strength. That the mistakes of others can teach us almost as much as the mistakes we make on our own. I’ve learned that hybrid, ekphrastic constructs bring great satisfaction. Along the way, I developed an Empathy Credo to guide my future making. It might not be the same approach as yours, and my own credo might change and evolve over time. Most of all, this project reminded me that poetry—and all art—is in the making, that the key to overcoming obstacles can be found in the words “try” and “do”.
Now I need to go get busy. What about you?
You won’t believe what you’ll learn in #7.–it’s HUGE!!!
#collections #AlamedaCountyFair #ACFair
#1 Collect a soft drink!
One of the best pavilions at the Alameda Co. Fair is the HOBBIES pavilion, where you can get ribbons for artfully displaying the stuff you collect. Notice the judicious use of quotation marks in the detailed description by the Pepsi memorabilia collector here. Is “Antiques Dealer” really just a euphemism for mom being a “hoarder”? I think so!
#2 Collect a decade!
Hobbies can be anything, but they are the most fun when they involve STUFF. Not sports. Who wants to sweat? Going to yard sales to get STUFF is so much better! Hooray for STUFF! Let’s call this collection “The ’80s!!!” I had all this stuff. Do you think this collector is gay? I do!!! Yay for the Thompson Twins and ’80s hair! Yay for the Psychedelic Furs and teenage melancholia!
#3 Collect things that don’t really go together!
Hobbies are great!!! Especially when they involve Yanni! Let’s put up a display booth of New Age shitty music and some weird things to balance it all out, like a Wicked playbill. Yay for hobbies! Yay for non-traditional thinking!
#4 Collect rock and roll memorabilia–a no-brainer!
Let’s collect KISS! Are they Knights In Satan’s Service or are they just a bunch of so-so musicians with kick-ass makeup and amazing marketing skills? When you get famous you should diversify, right? So notice the bottle of KISS wine on the far right. Do you think they stomped the grapes with their platform boots? KISS THIS! But don’t drink it! Save it for your collection! Tasty!
#5 Collect Smokey the Bear!
As a child, I had a Smokey the Bear doll, so I am predisposed to liking this collection quite a bit. Plus Smokey has emerged as an unexpected emblem of gay subculture! Bears are great! Smokey also helps prevent forest fires! Some people might want to burn this collection, but not this aficionado! I hope he has a Smokey suit he can wear to the Furries Con in San Jose. Yay for Smokey! Fun fact: Smokey really existed! There is a comic book to prove it. But sadly the real Smokey was not nearly so anthropomorphic as the one on TV. (Don’t expect a good bio-pic. A lot of plot points similar to Bambie. #TriggerWarning) Love Smokey anyway! Mmmm! Fur! Stroke it! Be nice!
#6 Collect an Amazon superhero!
Who wouldn’t want to collect Wonder Woman? (Boys, probably. At least straight boys.) A Wonder Woman collection is probably not going to go over well with the fellas on the football team, but who cares? Grab your magic lasso and make them tell the truth! EVERYONE loves Wonder Woman! Little girls in the 1970s spun in front of their TVs trying to turn into her. This little boy did too. MS. Magazine put her on their cover! She’s a freaking icon! How more wonderful does it GET?
#7 Collect Hippos!
Hobbies are informative! And you know what? Hippos ARE HUGE! This girl doesn’t lie. I would give hobby #17 a blue ribbon for artfulness and attention to basic facts. Plus, it’s always a strategic idea, once you’ve made the basic case for your argument, to leave your audience with a new lingering question. Like, “Where’s Rhino?” I wanna know! Don’t you? Let’s hear it for HUGE!
#8 Collect semi-perishable foodstuff!
You know what? If you can’t think of anything else to collect, COLLECT SUGAR! Who knew sugar could be so beautiful? This hobby is a real steal, and it encourages you to get out of the house more and into restaurants! Grandma can help! Just make her bring her pocketbook! Steal, steal, steal! Sugar, sugar, sugar! It’s almost poetry! (This collection can also help start a new one: ANTS!)
Don’t let Alameda County, CA, have all the fun! You TOO can start a collection. Some collections I’d like to see next year:
Stuff I Stole from Church
Parts of Bugs
Belly Button Lint Portraiture
Things That Are Invisible (like Wonder Woman’s plane! And ideas!)
There’s always so much more! What do YOU want to collect? (Tell me below). Open your eyes! Fill a display case! Consider joining a group like 4-H to help legitimize your collecting habits. Make a list of yard sales. Get started now! Remember, the more the merrier. Nothing is too insignificant. Egg cups, erasers, old gum in interesting shapes. Hobbies are the folk art of the common man! Let your collection help you fly your freak flag!
(Hey, who wants to help me start collecting actual freak flags?)
Kelly McQuain, June 19, 2015
I’m stealing this idea from Philebrity editor Joey Sweeney. What are the things you are looking forward to between now and Labor Day 2015? Here’s Mine. Now it’s your turn! #SummerToDoList #summer2015
What I’m Looking Forward to Doing the Summer of 2015
–meeting my friend Steph (along with all out other peeps) to show her the pleasure of happy hour drinks at Harbor Park.
–water gun battles.
–corn, potatoes, shrimp and sausage boiled in Old Bay.
–actually calling at least one old friend a week to catch up and stoke the embers of the good times we’ve shared.
–drinking wine and watching movies in the park.
–checking out the El Bar and hearing friends’ old stories about getting chased and beaten up on that block and boy has this neighborhood changed…
—-hanging out at the Lambda Literary Writing Retreat and the Sewanee Writers’ Conference. (https://kellymcquain.wordpress.com/2015/05/17/lambda-literary-fellows-need-your-help/)
–reading for pleasure (hammocks preferred).
–planting something and watching it grow.
–wearing sandals every day.
–aw, hell. Going barefoot.
–helping my high school pal Ric hang his solo art show on the Chesapeake Bay.
–taking pleasure in my friends’ successes.
–jazz cocktails on M Restaurant’s patio.
–t-ball and playground trips with my adorable nephews, and pool trips sans their water wings. Checking in with all the other nieces and nephews, too.
–getting someone to go tubing with me in New Hope, or canoeing in the pine barrens…
–drawing, painting, getting messy and having fun.
–talking to someone older who might be able to give me a little wisdom for what’s ahead.
–wearing breathable seersucker shirts and shorts.
–jumping in a fountain and pretend I’m on Friends.
–visiting Mom at her WV home… and seeing what latest critter has tried to get inside her house (in the last year, it’s been a mother bear with her cubs, two blacksnakes, and myriad deer. Only an enterprising groundhog has actually made it all the way into the living room)
–eating my way through Philly’s festivals. (Italian Market Festival? Check. Greek Festival? You’re up next)
–sudden thunderstorms where the temperature drops fifteen degrees in twenty minutes.
–peeling off wet clothes with someone I love.
–beach trips to Jersey, Delaware, and beyond, I hope.
–discovering the Drink of Summer (Paloma? Dark ‘n Stormy? Mojito? Some new invention?)
–writing, writing, writing. Finishing things, finishing things, and not beating myself up when I don’t finish everything.
–making a summer Playlist with the help of my music guru (he owns nearly six thousand CDs and they are all alphabetized! I know, I know. What’s a CD?)
–easy desserts of John’s Water Ice (lemon) with a shot of limocello (add strawberries for additional fancy-pants points.)
–hard cheese drizzled with honey infused by chocolate and habaneros (thank you, Mr. Artisanal Beekeeper at the Italian Market).
–seeing two summer blockbusters back-to-back on the big screen. Maybe even three!
–celebrating Walt Whitman’s birthday with some great out-of-town writers as part of the “Five for Philly” reading at Giovanni’s Room. https://www.facebook.com/events/836983619708969/
–shooting the shit with my neighbor in his yard.
–taking part in some exciting secret projects with various literary journals.
–and so much more!