–Saturday 3/11/2023 11 pm – Noon — Signing at Kestrel: A Journal of Literature & Art, table #1300.
–And I will be reading Friday at 7:00 at Underbelly in Seattle, free and open to all. The reading will start at 7:30 or so and I will read after 8:00. “We’re the Flownover” at Underbelly at 8:00 Friday. 119 1st Ave S, Seattle, WA, United States, Washington Duration: 2 hr Join us for a poetry and prose reading featuring new work from Trio House Press, Gold Wake Press, Minnesota Historical Society Press, the South Dakota Review, and Texas Review Press!
From Trio House Press: David Groff Matt Mauch Jen Manthey From Gold Wake Press: Laura Bandy From MN Historical Society Press: Lynette Reini-Grandell From South Dakota Review: Lee Ann Roripaugh Jan Beatty See less From Texas Review Press: Kelly McQuain
Some good news! My first full-length poetry collection has been accepted by Texas Review Press (see the first link in the comments). My book was chosen for their Southern Breakthrough Series, a contest that seeks new works from a different southern state each year. My collection, titled Scrape the Velvet from Your Antlers, was chosen to represent WV, my home state. The title refers to something bucks do to harden their antlers in anticipation of the fighting come mating season. This is my first full-length book, a longstanding dream of mine! The book will debut in February 2023. My thanks to TRP, all the editors who first published these poems, and especially the editors at Kestrel, A Journal of Literature and Art, where the title poem first appeared (thanks Donna Long, @Elizabeth Savage, Suzanne Heagy). #poetry
I am long overdue in sharing this good writers news: My chapbook, Antlers, was selected by #SevenKitchensPress for their Editor’s Series. Much thanks to editor Ron Mohring for his hard work on this project. The chapbooks are painstakingly crafted and stitched by hand in a very limited quantity. More writing news is coming soon! Details on how to order the chapbook are here: https://sevenkitchenspress.com/2022/01/29/kelly-mcquain-antler-editors-series/
My art project on Walt Whitman, “A Whitman Sampler” is now on display at the Free Library of Philadelphia’s exhibition, Voyages by Road and Sea: Philadelphia Perspectives on Walt Whitman and Herman Melville. The artwork is now installed in the West Gallery at the Parkway Central Library, Free Library of Philadelphia, located on the Ben Franklin Parkway. This project is a collaboration of the Free Library and the Rosenbach Center and features historical context on the authors as well as newly commissioned artwork related to the works of Melville and Whitman.
That’s where I come in. The Library commissioned artwork from me that consists of a box similar to an advent calendar. Each box contains pictures and text that correspond with Whitman’s Leaves of Grass. Part puzzle, part Whitman fortune-telling device, the box is designed as an interactive tool to help readers engage with the Great Gray Bard in a new and compelling way. In the spring I will be participating in an event where I take the box out of its display case to show off its possibilities. Time and date to be announced.
Special thanks to the team that created the exhibition: graphic designer Nathanael Roesch, writer/editor Clare Fentress, registrar Jobi Zink, FLP Deputy Director Andrew Nurkin, the Rosenbach’s Alexander Ames, and co-curator Professor Ed Whitley. In the coming year, a series of related events and programs in support of the exhibition will be held. Watch for details!
Update: On the back of the sampler there is an illustration of Walt for the 21st century, departing as air, waiting for us along life’s path in the grass beneath our soles/souls:
I depart as air, I shake my white locks at the runaway sun,I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love,If you want me again look for me under your boot-soles.
Dear Friends: Free art opening at City Hall this week! I have a piece in the show. Wednesday evening May 15th. Please come if you can after work. Here are the details on the show, called Visual Democracy, with the theme inspired by Walt Whitman as part of Literary Arts Week in Philadelphia.
“Join us in celebrating Literary Arts Week in Philadelphia by recognizing the Rittenhouse Writers Group, Mighty Writers, Philadelphia Young Playwrights and Blue Stoop – Philadelphia organizations supporting local emerging writers. Festivities will include a reception, a poetry reading by a special guest, and the opening of Visual Democracy, an Art in City Hall exhibit that celebrates the connection between the literary and visual arts as part of Whitman at 200: Art and Democracy.”
Wednesday, May 15, 2019
City Hall Philadelphia
Mayor’s Reception Room, 202
Conversation Hall, Room 201
Visual Democracy Exhibit Opening
This event is free and open to the public. Registration is required.
#CCP #writing #Philadelphia #VietDinh
Writer friends! CCP peeps! Community College of Philadelphia has several cool workshops and readings open to the public this week, and I especially recommend Viet Đinh‘s event on his Penn/Faulkner Award-finalist novel, After Disasters. (Full sched. with times and locations at https://www.myccp.online/2018-poets-writers-festival)
Dinh teaches at the University of Delaware. AFTER DISASTERS is an aMAZingly well researched novel about international and domestic relief workers struggling to provide aid after a disastrous 2001 earthquake in the Indian city of Bhuj. Dinh weaves together the stories of several intriguing characters–Dev, a married Indian doctor who works with HIV patients; Piotr, a disaster relief logistics expert facing burnout; Andy, a UK fire rescue worker on his first international assignment; and much more! It’s rare to find a novel with such rich characterization and an exacting eye for the logistics of the global world. My students and I are learning a great about how international relief works as well as the competing philosophies behind providing aid. We’re learning too the painful ironies and human failings that sometimes arise amid best intentions.
Dinh will also discuss his story “Substitutes” in a later session. This story won an O’Henry Prize and centers on Vietnamese schoolchildren left in the lurch during the fall of Saigon. Its use of first-person plural is a masterful example of a rarely used point of view.
All this, and he’s a snappy dresser to boot. Come if you can!
Dear Writer Friends–I’m not going to #AWP2018, but if you are, and if you’re going to Ybor City for an event, make sure to walk a couple blocks toward the train tracks and visit Al’s Bar-B-Que. It’s messy & great, and they serve big-ass beers! I went there with my dad a year or two before he passed away, and it’s such a nice memory. I try to get there when I visit my brother in Tampa. The Ybor neighborhood is worth a stroll, and has an interesting history as a hub of Cuban cigar manufacturing.