Barnes Update! Top 20

#LetsConnectPhilly #Art #PhillyArtDepot

Update! Recently  I wrote about the Let’s Connect! art show at Philadelphia’s famed Barnes Collection. My hipster postman mixed-media painting, “Mind, Heart, Soul” placed among the top 20 artworks out of over 310 paintings at the show. I was especially happy to see my friend Tim Barton also make the cut with his stellar wooden folk box. As a result, this coming year the other artists and I have been asked to work with the Barnes on a series of talks and lectures geared toward the public and fellow artists. It’s a very special piece to me, and I hope it will find a good home with you. (You can read more in this former post that includes my Artist Statement., which talks about how Van Gogh’s work served as inspiration.)

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“Mind, Heart, Soul: After Vincent’s The Postman” by Kelly McQuain, 2018

On this blog I’ve mostly posted about my work as a writer, but it’s true I also do a lot of artwork, which I’m hoping to post more about in the future. Below is my current Artist’s Bio, in case you are curious. My artwork ranges from comics and cartoons to watercolors, acrylic and the occasional oil painting. I often mix media and like to embed details and back-stories within my visual work, things that a viewer has to look twice to discover and that leave a person wanting to know more. For instance, if you look close you can tell Mr. Postman is a major Eagles fan, but perhaps not the most attentive deliveryman. I take the occasional commission and book cover project, but most works start from a strong visual idea and spool out from there, with hopes they find a buyer in the future.

About the Artist

Kelly McQuain is an artist and poet who combines words and pictures in poems, essays, book covers, comics, and large-scale canvases. His collection, Velvet Rodeo, won the Bloom Poetry Prize, and his work appears in numerous journals. He has twice held Fellowships from the Pennsylvania Council on the Arts. Recent projects include a series of Poetry Portraits that have appeared on the cover of Fjords Review. The painting series was inspired by Barnes artist Charles Demuth, whose watercolor poster portraits of famous contemporaries included the likes of Georgia O’Keeffe and William Carlos Williams. When he’s not painting, McQuain teaches creative writing, literature, and film studies at Community College of Philadelphia.

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Visit the #BarnesCollection for FREE!

#letsconnectPhilly  Now through IMG_1664June 4, 2018 get free admission to the Barnes in honor of their Let’s Connect Exhibition. I’m one of 310 Philadelphia artists who have work in the show. Participating artists chose a work in the Barnes Collection that inspired them, and then did their own 8″ x 10″ work inspired by the original. (For me, the hardest part was working that small.) The public gets to visit the Barnes for free and vote for four artists who will each get a three-month studio residency at the Barnes over the next year. Admission is free to encourage public participation in voting. If you’ve never been, the permanent collection is amazing–arguably the best assemblage of Impressionism and Post-Impressionism in the county.  Barnes created the collection to educate artists about form and technique. My painting is titled Mind, Heart, Soul, which alludes to what Albert Barnes sought to cultivate in the students who studied the masterworks he painstakingly displayed for them. The museum is open 11 am – 5 pm Wednesday through Monday. For FREE admission, you must register in advance at

https://barnesfoundation.formstack.com/forms/connect_voter_registration.

If you go, please consider voting for #1295, my version of Van Gogh’s The Postman. Why did I choose The Postman? Here’s the Artist Statement I sent along with my project.

Albert C. Barnes didn’t collect work based on historical or social context; he assembled his works as a testament to the pleasure of form. Barnes’ method, however, poses a dilemma for contemporary artists: in this Age of (overwhelming) Information, is it possible to create work apart from the context from which it rises?

I’m drawn to a painting like Van Gogh’s The Postman not only because of its virtuoso brushwork but also because of its unintentional commentary on so many things: the bearded hipsters of my Philly neighborhood; the fact that few people write letters anymore; the way internet businesses have staved off the Postal Service’s obsolescence; that Philadelphia has offered massive tax incentives to lure Amazon.com’s new headquarters here—a bid that could turn life here on its head.

I like art that talks to me and keeps the conversation moving forward. The Barnes Collection does this, whether its founder intended it to or not. When Albert Barnes paired paintings with old hinges and primitive sculptures, he created a series of “eye rhymes”–visual pairings that call to each other and echo back. In doing so he created a living conversation about art, one that surmounts time. I’m inspired by the collection’s interplay of forms as well as its interplay of ideas. I believe that Barnes’ singular arrangement is a conceptual artwork itself. It teaches me to see the times I’m living through in new ways and to curate my life carefully. Barnes’ collection teaches me to honor the old, reflect my now, and imagine a future. That feels like a fragile message, but it’s one that needs delivering.

–Kelly McQuain, Artist Statement, May 2018

 

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#vangogh @the_barnes @kellymcquain

Conference and Reading: Kicking off Poetry Month!

Happy poetry month! I’m doing two events to kick off the celebration. the first is a panel at the Rosemont College LitLife conference. Click here for details. Tim Seibles, a wonderful Philly poet who now teaches in Virginia (where he is the poet laureate for the state!) is just one of the amazing poets at the conference. I met Tim a few years ago when he read for us at the college where I work. What a great guy! I’ll be doing a panel on creating images with the wonderful poet Dawn Manning. Look for us there on April 1st.

And, speaking of my college, Community College of Philadelphia, our Poets & Writers Festival comes to a conclusion this coming Monday with a free event below. Check it out!

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Monday, April 3, 2017

6 – 8 p.m.
Klein Cube, Room P2-03

The Community College of Philadelphia Spring Faculty Showcase of Writers

Join College’s distinguished faculty members as they read from their latest poetry and prose in what has become an annual tradition. Refreshments will be served! Click here for more info!

 

The line-up includes: Jonathan Pappas; Amy Birge; Lauren Genovesi; Julie Odell; Kelly McQuain; Brian Goedde. Hosted by Jeffrey Markovitz.

#WritersResistPHL this Sunday! Update!

Update from the organizers: Dear friend:When we fill the Dell Auditorium of the National Museum of American Jewish History on Sunday we’ll be part of a national chorus of resistance: in more than 50 cities in the U.S. and around the world writers will stand up for free expression, truth, and dignity. The President-elect has already made clear he will violate these central tenants of American life.

The national #writersresist movement is spreading, as LitHub reports this week; in Philadelphia, the Inquirer and WHYY-Newsworks will be there to report on our gathering—a critical moment to demonstrate the power of being (as PEN America says) #loudertogether.
We in Philadelphia have a special role to play in this day of protest, as we describe HERE, in an essay in the Inquirer. On Sunday, about 33 of our colleagues will get up on the podium to read poems, letters, passages from essays and novels, speeches and pronouncements on freedom (and various freedoms), many of them legacies of Philadelphia.
Our event will also include a public school student from Mighty Writers, the inspiring service organization which will be on hand to talk about volunteering. On Sunday, you’ll be able to talk to immigrant rights and free expression advocates. Metro Philly has a terrific description of our plans, HERE.
If you haven’t already, please register for the event on Facebook: https://www.facebook.com/events/424262767905244/
You can follow us on Twitter: @ResistPHL
Check in on our blog, where you can find our press release and other info and where we will publish Sunday’s readings: https://writersresistphl.tumblr.com/
Register your email with us HERE, so that we can continue to work together as a literary community.
Event details
Sunday, January 15, 2017
2-5 PM; FREE and open to the public (no museum entrance needed, but you will have to go through security)
National Museum of American Jewish History (@NMAJH), SE corner 5th and Market
If you would like to help out at the event and haven’t already told us that you’ll be available to do so, please let us know. We’re also looking for someone willing to video Philadelphia Writers Resist. If you are willing or know someone who might be, let us know.
Many thanks to all the wonderful people who have already donated hours of time to this endeavor.
Spread the word!
Nathaniel, Alicia, and Stephanie
phillywritersresist2017

Philly Writers Resist!

#writersresist    January 15 is the date for Philadelphia Writers Resist: United for Liberty. The event is part of PEN America’s country-wide mobilization to let the Trump administration know that we writers will not back down or backtrack when it comes to human rights and civil liberties. I’ll be reading alongside many Philly friends from works that speak to empathy and justice. Nathaniel Popkin, one of the organizers, writes, “We chose the word united because this event is meant to bring us together as a literary community with abundant shared interests. We are poets, novelists, filmmakers, artists, publishers, readers, promoters, journalists, essayists, narrative non-fiction and experimental writers, editors, scholars, and translators, all to say, loudly, that we will stand for the freedoms written right here.”

The event will happen on Independence Mall at the location of the Centennial Religious Freedom sculpture, the National Museum of American Jewish History, and in sight of Independence Hall.
This event is co-facilitated by Nathaniel’s fellow organizers Alicia Askenase and Stephanie Feldman.
Philadelphia #WritersResist: United for Liberty
Sunday January 15, 2017
National Museum of American Jewish History Dell Auditorium
5th and Market Streets
2:00-5PM
The Museum is generously donating the auditorium for our event.
phillywritersresist2017
More on ways you can #WriteOurDemocracy at this link.

America’s Promise: Community College of Philadelphia at 50

The premiere blog of all things Philly–Philebrity.com–publishes my take on the challenges as CCP looks ahead to another fifty years. Read by clicking on this link.

“As CCP looks to the future, changes are afoot. The college has a nationally recognized Reentry Support Project that has helped over 500 students with criminal records meet academic goals. It provides a growing number of study abroad opportunities, and classroom designs are currently being overhauled in a push to make the college’s facilities world class. To attract new foreign students, CCP hopes to build student housing and retail space…”

[Source: Wikimedia Commons]

[Picture source: Wikimedia Commons]

 

 

 

How Do We Pollinate Identity? The Empathy Machine, Part 2

MonsterPullOutGanesh, Cthulhu, Keats and honeybees! Sherman Alexie, Kenneth Goldsmith, Vanessa Place, and the Muppets!  What can this strange mash-up teach us about the pitfalls and triumphs of poetry and art-making? Part two of my comix essay, The Empathy Machine, is out now. Click here! It’s a hybrid graphic narrative I’ve worked on for Cleaver Magazine, a meditation on art-making, poetics, identity and appropriation. There’s even a board game you can play. You can read last fall’s part 1 of the project at the link below if you missed it (the Cleaver editors nominated it to Best American Essays!)
Make sure to link to the cartoon version. Cleaver published a text version as well for the visually impaired and for search engines that can’t (yet?) read comix.