Kelly McQuain’s Debut Poetry Collection, Scrape the Velvet from Your Antlers, out now from Texas Review Press/Texas A&M University Press
In questioning the boundaries between the world and oneself, Scrape the Velvet from Your Antlers unflinchingly explores the dark eddies of coming of age and coming out. Kelly McQuain’s poems are far roaming in setting and far ranging in style, depicting the richness of a rural West Virginia upbringing as well as contemporary adulthood in the big city and abroad. Glints of humor and glimpses of pathos abound in the imaginative leaps these poems take as they tackle such subjects as LGBTQ sexuality, homophobia, domestic abuse, and racism. Unafraid to push the limits of contemporary sonics, McQuain’s work is rich in music and varied in form, with new riffs on the sonnet, the villanelle, and the persona poem. Accessible and lyrical, this debut collection deftly explores the homes we come from and the homes we create—all the while shining with wonder and resolve. Several of the poems won contests, including the Bloom chapbook prize, the Glitter Bomb Award, Best New Poets 2000 and more. (From the publisher, Texas Review Press/Texas A&M University Press)
Where I’ll be at AWP2023 in Seattle
–Friday 3/10/2023 3 pm – 4 pm — Signing at Texas Review Press table #601.
–Saturday 3/11/2023 11 pm – Noon — Signing at Kestrel’s table.
Learn more at Kelly McQuain: Art & Writing at https://www.facebook.com/profile.php?id=100090843189546
Buy the Book: Available at Amazon and Barnes & Noble. Texas Review Press is part of the Texas A&M University Press Consortium, so books can be ordered through the press at Texas A&M University Press.
Scrape the Velvet From Your Antlers. Kelly McQuain. 978-1-68003-332-8 Paperback, Pub Date: 02/15/2023
Direct Media Inquiries & Review Copy Requests to: Texas Review Press (TRP, Publisher), P.O. Box 2146, Huntsville, TX 77341-2146 ~ * ~ Email trp@shsu.edu ~ * ~ Phone 936-294-1992
You can also contact Kelly McQuain directly at the links at the end of this announcement.
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“Scrape the Velvet from Your Antlers”
As you take the hill, the hill takes you—
raking you and your siblings into
a grassy sway of beetles and spiders moving,
and the day’s hot ricochet of blue bottle flies
and bees gone crazy in their looping.
Your brother and sister run to catch the horizon.
You wade slowly through the lashing,
alive with combustion, eager for bursting…
Excerpt from the title poem, originally published in Kestrel.
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Advance Praise from Writers
Scrape the Velvet from Your Antlers the debut poetry collection by Kelly McQuain
Winner of Texas Review Press’s Southern Breakthrough Award
Kelly McQuain’s language—exact, thrilling, exquisite—isolates the contradictions inherent in family, in our society. Queerness, here, is an ‘ache of wanting’ but also bewilderment, dangerous, messy, curious, and, finally, hard-won love—a bond to a man who brings home strawberries. Too often, in our era of easy oversharing and spectacle, we scroll past human utterances. But McQuain’s confessional poems stopped me in my tracks, brought me closer to what divides us, to what tethers us.”
–Eduardo C. Corral, author of Guillotine
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Kelly McQuain has written a book of poems both poignant and mesmerizing. The complexities of family relationships are examined here with a no-holds-barred frankness that makes it impossible not to recall the nearly overwhelming power of emotional dissonance in our own early lives. There is also an intricate look at how a burgeoning sexuality can further complicate entry into the world as we know it. However, the texture of these poems is wonderfully rich; McQuain’s poems have a cinematic quality that is hard to resist. I quickly found myself caught in the current of Scrape The Velvet from Your Antlers, feeling compelled to read just one more poem and then another and then just one more.
–Tim Seibles, author of Voodoo Libretto.
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“[H]ow easily the things we do go awry— / what can we // expect of truth / when we don’t dig for proof / or plumb its depth?” And digging for truth is what Kelly McQuain does in poem after beautiful poem in his moving collection Scrape the Velvet from Your Antlers. The speaker in this book knows deeply the language of rural landscape and lives in the space where landscape and body merge. McQuain also understands grief and leaving, following the “[s]omething [that] calls you somewhere else.” These are generous poems, ravenous to love a broken world. Whether McQuain’s speaker is at a circuit party or trying to talk down a man who wants to jump from a bridge, there is a through line of tenderness, a lived-in melancholy. His longing becomes our longing.
–Aaron Smith, author of The Book of Daniel
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McQuain’s poems stun with tenderness and revelation. The poet sings of burlap and corn silk, wolves and drag-queens, and the heart shuddering like unripe fruit against Dolly’s billowy chest as he confronts the accumulation and loss of this life while searching for a soft place to land.
—Sonja Livingston, author of Ghostbread
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Kelly McQuain’s wholehearted and powerful poems lead us into the valley of his making, with tales of a hardscrabble rural childhood and his “boyhood’s sweet undoing,” giving witness to a queer boy at once at home and in inner exile. But with all his tough-love exploration of the past, McQuain blazes his way to a new home, in a keenly rendered Philadelphia—and into the heady, trying truths of romantic love: “I’d drink your heart right now if I could,” he writes, “even if we were silver/and red/and made of tin.” Equally at ease in evocative narrative poems and the vivid, painterly lyric, McQuain invites us to set aside “the weight of this life undermined” and join him to “dream of constellations not yet named,/of ghosts, in reprieve, sent ascatter.”
–David Groff, author of Clay
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Scrape the Velvet from Your Antlers travels wondrously over verdant hills and down bustling city streets to find what matters: the gorgeous love, the all-consuming desire, the joy of human touch. This collection sings, pounds, and shouts. McQuain’s keen eye and sharp words command us to stop and see. Scrape the Velvet is a treat of a book, rendered by a man at the peak of his craft.
–Jonathan Corcoran, author of The Rope Swing
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In Scrape the Velvet from Your Antlers, maturity is shown as a toughening process, a paring away of uncertainty. In the West Virginia of his childhood, McQuain finds himself a young gay man struggling against an alien and discriminatory culture. In elegant poems, so much of a place and time, he goes from the boy eager to please an exacting father intent on building a house, to the Good Samaritan in the big city where he has landed, stopping in traffic to talk a would-be suicide down from a bridge. In lyrical lines that stretch out where they need to, never losing momentum, he blends a Keatsian sweetness with the street smarts of a Frank O’Hara. “As you take the hill, the hill takes you.” It is “stubbled with stubborn flowers,” the deer he views, “a blister/ of orange-red and velvet need.” And in the lush final poem, the simple feast of Italian ices from a South Philly vendor that the poet shares in bed with his lover one hot summer night he rightly names “this moment/ a victory.”
—Elaine Terranvova, author of The Diamond Cutter’s Daughter: A Poet’s Memoir and Damages.
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About the Author
Mr. Kelly McQuain
Associate Prof. of English, Community College of Philadelphia
Twitter: @kellymcquain Instagram: @kmcquain
kellymcquain.writer@gmail.com (email the author directly for readings or interviews)
http://www.kelllymcquain.wordpress.com
Kelly McQuain is the author of Scrape the Velvet from Your Antlers (2023), a poetry collection chosen by Texas Review Press for the Southern Breakthrough Award. He has also authored two chapbooks, Velvet Rodeo, which won the Bloom chapbook poetry prize, and Antlers, chosen for the Editors Series at Seven Kitchens Press. His prose, poetry and illustrations have appeared in The Pinch, Best American Poetry Review, Painted Bride Quarterly, The Philadelphia Inquirer, Spunk, Assaracus, Kestrel, and Cleaver, as well as such anthologies as: Best New Poets 2020; Men on Men; Drawn to Marvel; LGBTQ Fiction and Poetry from Appalachia; Eyes Glowing at the Edge of the Woods: Fiction and Poetry from West Virginia; The Queer South; Rabbit Ears: TV Poems; and Let Me Say This: A Dolly Parton Poetry Anthology. Other honors include poet Dorianne Laux’s selection of his poem, “Ruby on Fire”, for Limp Wrist Magazine’s annual Glitter Bomb Award, two fellowships from the Pennsylvania Council on the Arts, a Lambda Literary Fellowship, and selection as a Tennessee Williams Scholar by the Sewanee Writers’ Workshop. As a visual artist, McQuain has won prizes from the Barnes Foundation and Philadelphia’s William Way LGBTQ Center, and his series of writer portraits appear as cover illustrations on Fjords Review. As an Assoc. Professor of English at Community College of Philadelphia, McQuain has received fellowships from the National Endowment for the Humanities and the East-West Center of Hawaii, which led to his selection for a field study and research trip sponsored by the Freeman Foundation and the Chinese Ministry of Education, which took him from Beijing to Shanghai and many points in between. His travels greatly influence his painting and writing, and he takes joy in sharing his love of the arts with his students.
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“We are all in the gutter but some of us are looking at the stars.”
– Oscar Wilde
June 4, 2018 get free admission to the Barnes in honor of their Let’s Connect Exhibition. I’m one of 310 Philadelphia artists who have work in the show. Participating artists chose a work in the Barnes Collection that inspired them, and then did their own 8″ x 10″ work inspired by the original. (For me, the hardest part was working that small.) The public gets to visit the Barnes for free and vote for four artists who will each get a three-month studio residency at the Barnes over the next year. Admission is free to encourage public participation in voting. If you’ve never been, the permanent collection is amazing–arguably the best assemblage of Impressionism and Post-Impressionism in the county. Barnes created the collection to educate artists about form and technique. My painting is titled Mind, Heart, Soul, which alludes to what Albert Barnes sought to cultivate in the students who studied the masterworks he painstakingly displayed for them. The museum is open 11 am – 5 pm Wednesday through Monday. For FREE admission, you must register in advance at
![[Source: Wikimedia Commons]](https://kellymcquain.files.wordpress.com/2016/05/ee2be-1463683355506.jpg)
Kelly McQuain 